Graphic Arts Papers / There are 69 products.

cm 50x70 – Frosted whiteSlightly translucent, cloudy appearance and close to parchmentsMedium and use: Calligraphy, gouache, illumination and dry techniques. 

By the meter, width 100 cm - 80% Kozo. Use and support: reinforcement, interfacing and lining, conservation, printing, drawing, pastel, model making, lighting. This Japanese paper retains its whiteness and is not afraid of ultraviolet...

20 sheets cm 24x32 - Intense white - 300gsm Ultra white drawing paper, very smooth surface. Support : ideal for graphite , pastel couloured pencils, ink and acrylic markers Acid free       

By meter - Weidth cm 96 - 100 % Japanese gampi. Gampi papers are suitable for restoration, etching, ink, and digital printing, as well as platinum prints. Préfecture : Kochi.      

By meter , Awagami Factory handmade Japanese roll  Paper Taizan W-5, MM-1 30 g/m2  cm 91.4 Environmentally-conscious Producted by Natural fibres Acid-free

Choix à la feuille au format A4. Papier japonais fait main HM coloris : Naturel texture & trame : doux , fibres  pH : neutre  Usage et support :  gravure - photo - design - luminaire Origine : Saitama

cm 135x35 - Long fiber japanese kozoWhite with straight edges. Laid lines and visible frame.Rough textureMedium: calligraphy, ink, ink wash paintingOrigin: Tottori prefecture   

cm 135x35 - Long fiber japanese kozoNatural with straight edges. Laid lines and visible frame.Rough texture ; (available in cm 135x70)Medium: calligraphy, ink, ink wash paintingOrigin: Tottori prefecture

cm 63x93 – 100% Japanese kozo – Vegetable binder (*)Handmade japanese paper in the Hosokawa-shi traditionNatural color – 2 fringed edgesMedium: engraving, pastel, calligraphy, lithography, fine art.

Washi cm 97x63 - 100% mitsumata fiber. Fully handmade Japanese paper. Natural hue. Kochi prefecture. Use and support: Intaglio - printing - art photo printing - calligraphy - binding & restoration.    

cm 100x200 - Large format 100% handmade - 100% Japanese kozo.Natural - Soft to the touch, even texture and shade. scattered fibers - Fringed edges. Medium: Engraving - Nihonga - Calligrahie - Drawing - large format project....

cm 63x93cm - 100% Japanese kozo & pulp. Vegetable binder (*). Japanese paper entirely handmade in the Hosokawa-shi tradition. Long fibers - 4 fringed edges. Use and support: Engraving - Inks - Pastel - Book - Inkjet printing.

cm 45x64 - Japanese paper 50% kozo + 50% hemp. Natural hue, laid paper – 2 fringed edges Medium: engraving, watercolor, ink Produced by Awagamy factory, Tokushima Prefecture

Washi (43x52 cm) – 25% kozo + Alpha celluloseHandmade washi – cream-colored – one side smooth, the other roughMedium: engraving, watercolor, inkjet printing, calligraphy, photographyProduced by Awagamy factory, Tokushima...

cm 109x78-  Blanc. très souple avec une surface légèrement brillante.Papier japonais mécanique non-tissé permettant une impression offset.Usage et support : Conservation d'œuvres graphiques - reliure - entoilage - doublage -...

cm 63x97 - Kozo and hemp Mechanical Japanese paper - Straight edges. Use and support: Engraving - restoration - all prints - drawing - mixed media.    

cm 78x109 – 80% KozoStraight edgesMedium: engraving, fine art photography, cyanotype, suminagashi, lithographyOne side smooth and delicate, the other slightly rough. Ideal for inkjet printing.

cm 43x52  Bunkoshi select d'Awagami. 30% kozo 70 % d'alpha cellulose. Ce papier, sans encollage, est d'une couleur naturelle crème  avec une face lisse. Usage et support: Lithographie, gravure, sérigraphie, calligraphie. Ce papier est...

cm 97x188 - Large size 100% handmade - kozo, hemp and gampi (*) White - Soft to the touch. homogeneous texture and color. Used for engraving, nihonga, calligraphy, drawing, restoration. Echizen, Iwano Heizaburou paper mill.

cm 78x109 - Base de kozo & bambou  - Mecanique -  pH 7 Une face plane et lisse, l'autre face très légèrement rugueuse. Sans vergé. Effets nuageux. Usage et support : la gravure - la lithographie, le dessin, l'offset, le fusain...

cm 49x47 - 100% handmade japanese kozo - Natural color 90% kozo / 10% liant One side is smooth, the other slightly rougher Support: printmaking, painting, drawing, (wood) engraving. Origin: Fukui

cm 78x109 - Kozo & bamboo base - Mechanical - pH7 One side flat and smooth, the other side very slightly rough – Devoid of laid – Cloudy effects. Medium: engraving, lithography, drawing, offset, charcoal & pastel. Also...

cm 109x78.. Blanc. surface légèrement brillante, très souple. Papier japonais mécanique non-tissé permettant une impression offset. Aspect nuageux . Usage et support : Conservation et restauration d'œuvres graphiques - reliure -...

cm 109x78  Légèrement brillant, très souple. Papier japonais mécanique non-tissé permettant une impression offset. Aspect nuageux . Usage et support : Conservation et restauration d'œuvres graphiques - reliure - sérigraphie - design...

cm 87x64 - 4 fringed edges - Laid. This paper is ideal for papermaking. It is thick and its high quality allows it not to shrink when wet. It resists tearing very well.  

cm 53X79 – Paste and sulphite Masa white, one side shiny, the other lumpy.   This paper is used for screen printing, offset, printmaking, sumi-e and fine art photography. It benefits from an attractive price while remaining a high...

cm 56x76 - 70% bamboo. White.Japanese paper from Awagami Factory ©A soft and smooth surface suitable for engraving.Bamboo is a familiar material in Japan, it has the particularity of being resistant.

cm 56x76 - 70% bambou. Blanc. Papier japonais d'Awagami Factory©. Une surface plus souple et plus lisse adaptée à la gravure. Le bambou est un matériau familier au Japon, il a la particularité d'être souple et solide.  

cm 56x76 - 80% Bamboo - WhiteJapanese paper by Awagami Factory©Smooth and silky surface suitable for printmaking.Bamboo is a popular and common material in Japon, with a particularity to be both flexible and resistant.  

cm 50x70 – Frosted White Slightly translucent, cloudy appearance and close to parchments Medium and use: Calligraphy, gouache, illumination and dry techniques.