Fine Arts / There are 57 products.

cm 97x63 Papier japonais d'excellence. Séchage manuel. Usage et support : Gravure - Dessin - Photographie d'art - Restauration - Calligraphie. Origin: Shiga prefecture. Approvisionnement limité.        

cm 135x35 or cm 135x70 - Long fiber japanese kozo White with straight edges. Laid lines and visible frame. Rough texture Medium: calligraphy, ink, ink wash painting Origin: Tottori prefecture        

cm 135x35 or cm 135x70 - Long fiber japanese kozo Natural with straight edges. Laid lines and visible frame. Rough texture ; (available in cm 135x70) Medium: calligraphy, ink, ink wash painting Origin: Tottori prefecture

cm env 94x63  - 100% gampi. Liant racine de gampi japonais (Hishi) Papier japonais d'excellence et rare. Fait main - Séchage manuel. 2 bords frangés collés. Ce papier est extrèmement résistant, même gorgé d'eau. Usage et support :...

cm 183x65 - 100% Japanese Mitsumata. Natural (beige) 100% handmade Japanese paper, dried in the sun on smooth panel (metal) - 4 fringed edges. Use and support: Engraving - Calligraphy - Sumi-e - Drawing. Kochi Prefecture. 

cm 100x200 - Large format 100% handmade - 100% Japanese kozo. Natural - Soft to the touch, even texture and shade. scattered fibers - Fringed edges.  Medium: Engraving - Nihonga - Calligrahie - Drawing - large format project. Echizen,...

cm 63x93cm - 100% Japanese kozo & pulp. Vegetable binder (*). White Japanese paper entirely handmade in the Hosokawa-shi tradition. Long fibers - 4 fringed edges. Use and support: Engraving - Inks - Pastel - Book - Inkjet printing.

cm 48x65~66 - Japanese paper 70% kozo Natural hue, laid paper – 2 fringed edges Medium: engraving, watercolor, ink Produced by Awagamy factory, Tokushima Prefecture

cm43x52 – 70% kozo  Handmade washi – cream-colored – one side smooth, the other rough Medium: engraving, watercolor, inkjet printing, calligraphy, photography Produced by Awagamy factory, Tokushima Prefecture

cm 78x109 – 80% Kozo Straight edges. Medium: engraving, fine art photography, cyanotype, suminagashi, lithography One side smooth and delicate, the other slightly rough. Ideal for inkjet printing.

cm 43x52  Bunkoshi select d'Awagami. 30% kozo 70 % d'alpha cellulose. Ce papier, sans encollage, est d'une couleur naturelle crème  avec une face lisse. Usage et support: Lithographie, gravure, sérigraphie, calligraphie. Ce papier est...

cm 78x109 - Base de kozo & bambou  - Mecanique -  pH 7 Une face plane et lisse, l'autre face très légèrement rugueuse. Sans vergé. Effets nuageux. Usage et support : la gravure - la lithographie, le dessin, l'offset, le fusain...

cm 43x52 - kozo & Alpha cellulose. Washi Fait main- extra Blanc vergé - Aspect coton pelucheux  Usage et support : linogravure - aquarelle - moku hanga - imprimante inkjet - calligraphie.  

cm 53x79 – Paste and sulphite Masa white, one side shiny, the other lumpy. This paper is used for screen printing, offset, printmaking, sumi-e and fine art photography. It benefits from an attractive price while remaining a high...

cm 49x47 - 100% handmade japanese kozo - Natural color 90% kozo / 10% liant One side is smooth, the other slightly rougher Support: printmaking, painting, drawing, (wood) engraving. Origin: Fukui

cm 56x76 - 70% bamboo. White. Japanese paper from Awagami Factory © A soft and smooth surface suitable for engraving. Bamboo is a familiar material in Japan, it has the particularity of being resistant.

97.5x185 cm - 120g/m² Large format Japanese paper made from mulberry & bamboo (pulp) Machine-made. One side flat and smooth, the other side very slightly rough. No watermark. Usage and support: Engraving - Cyanotype - Lithography -...

cm 48x66 - White – Italian paper of excellence, entirely handmade 100% cotton, laid, 4 fringed edges, watermarked on edge with "CM FABRIANO" and roman wolf. Support : Bookbinding, inkjet printing, drawing, calligraphy and handwriting

cm 48x66 - Beige – Italian paper of excellence, entirely handmade 100% cotton, laid, 4 fringed edges, watermarked on edge with "CM FABRIANO" and roman wolf. Support : Printmaking, bookbinding, inkjet printing, drawing, calligraphy and...

cm 65x50. Its laid surface catches the pigments. 130g/m²Ingres pastel paper is used for charcoal, dry pastel and sanguine drawing. It is also suitable as an album and book cover page. Plain colors and sanded effects.

cm 64x48 – 130g/m² – White – neutral pHPaper with a beautiful luminous shade. Can be used for relief engraving techniques or flatbed techniques like screen printing and monotype.

cm 64x48 – 130g/m² – Ivory – neutral pH Paper with a beautiful luminous shade. Can be used for relief engraving techniques or flatbed techniques like screen printing and monotype.    

cm 50x70 – Frosted White Slightly translucent, cloudy appearance and close to parchments Medium and use: Calligraphy, gouache, illumination and dry techniques.  

cm 50x70 - White [Ghiacco] 160g/m² - Laid, horizontal at the longest length. Fabriano's Ingres paper is recommended for bookbinding, drawing and its dry techniques. 100% cellulose.

cm 50x65 – WhiteTiziano 160g/m² from the famous papermaker Fabriano is dyed in straight within its mass and offers perfect resistance to light and aging.Medium: Dry pastel, oil pastel, pencil, gouache or acrylic

cm 56x76 - 80% Bamboo - WhiteJapanese paper by Awagami Factory©Smooth and silky surface suitable for printmaking.Bamboo is a popular and common material in Japon, with a particularity to be both flexible and resistant.  

BAMBOU Select d'Awagami - 70 % fibres de bambou- pH 7cm 43x52 - 170 g/m2. Une face lisse.Le bambou est un matériau familier au japon, il a la particularité d'être souple et solide. le papier bambou d'Awagami est une vraie...

cm 78x109 – Bamboo fiber – Japan The Satogami is a fine paper of great sobriety Medium: inkjet and laser printing, handwriting, binding, origami, calligraphy, pastel, framing

cm 78x109 - Bamboo fiber - Japan.Satogami is a fine paper of great sobriety.Use and support: Ink jet and laser printing - writing - binding - origami - calligraphy - pastel - framing.

cm 64x48 – 250g/m² – White – neutral pHPaper with a beautiful luminous shade. Can be used for relief engraving techniques or flatbed techniques like screen printing and monotype.