Art Publishing Papers / There are 34 products.

cm 140x75 - 70% Japanese Kozo. Large sheet. Handmade Japanese paper - White - 4 fringed edges. Support: Sumi-e(*) - Inks and wet techniques - Drawing - Restoration. Kochi prefecture.  

By the meter , Awagami Factory  Japanese roll  Paper gampi Kitakata 36g/m²Uses : Dawing, Printmaking,; alt. pro photography, mixed-media, encaustic, collage, bookartsAcid-free.

Washi cm 97x63 - 100% mitsumata fiber.Fully handmade Japanese paper. Natural hue.Kochi prefecture.Use and support: Intaglio - printing - art photo printing - calligraphy - binding & restoration.  

cm 100x200 - Large format 100% handmade - 100% Japanese kozo. Natural - Soft to the touch, even texture and shade. scattered fibers - Fringed edges.  Medium: Engraving - Nihonga - Calligrahie - Drawing - large format project. Echizen,...

cm 183x65 - 100% Japanese Mitsumata. Natural (beige) 100% handmade Japanese paper, dried in the sun on smooth panel (metal) - 4 fringed edges. Use and support: Engraving - Calligraphy - Sumi-e - Drawing. Kochi Prefecture. 

cm 63x93cm - 100% Japanese kozo & pulp. Vegetable binder (*). White Japanese paper entirely handmade in the Hosokawa-shi tradition. Long fibers - 4 fringed edges. Use and support: Engraving - Inks - Pastel - Book - Inkjet printing.

cm 97x64  Bunkoshi d'Awagami. 40% kozo - 60 % d'alpha cellulose. Ce papier, sans encollage, est d'une couleur naturelle crème. 4 bords frangés. Une face lisse. Usage et support: Lithographie, gravure, sérigraphie, calligraphie. Ce...

cm 49x47 - 100% handmade japanese kozo - Natural color 90% kozo / 10% liant One side is smooth, the other slightly rougher Support: printmaking, painting, drawing, (wood) engraving. Origin: Fukui

cm 56x76 - 70% bamboo. White. Japanese paper from Awagami Factory © A soft and smooth surface suitable for engraving. Bamboo is a familiar material in Japan, it has the particularity of being resistant.

97.5x185 cm - 120g/m² Large format Japanese paper made from mulberry & bamboo (pulp) Machine-made. One side flat and smooth, the other side very slightly rough. No watermark. Usage and support: Engraving - Cyanotype - Lithography -...

cm 48x66 - White – Italian paper of excellence, entirely handmade 100% cotton, laid, 4 fringed edges, watermarked on edge with "CM FABRIANO" and roman wolf. Support : Bookbinding, inkjet printing, drawing, calligraphy and handwriting

cm 48x66 - Beige – Italian paper of excellence, entirely handmade 100% cotton, laid, 4 fringed edges, watermarked on edge with "CM FABRIANO" and roman wolf. Support : Printmaking, bookbinding, inkjet printing, drawing, calligraphy and...

cm 50x65 – WhiteTiziano 160g/m² from the famous papermaker Fabriano is dyed in straight within its mass and offers perfect resistance to light and aging.Medium: Dry pastel, oil pastel, pencil, gouache or acrylic

Washi cm 94x64 – Torinoko 100% Kozo – White Mechanical Japanese paper Binder and dosabiki treatment. Smooth, soft appearance and pearly effect. Origin: Kochi. Medium: engraving, Moku Hanga, calligraphy, ink wash painting, lithography

cm 75x105 - Natural whiteness, 100% cotton, half-glued. Designed for printing, embossing and art editing techniques. Excellent paper which guarantees the durability of the works. Very good ink absorption, even when dry.

cm 56x76 - 250 g/m2 -  70 % fibres de bambou. Blanc. Papier japonais BAMBOU d'Awagami factory©. Le bambou est un matériau familier au japon, il a la particularité d'être souple et solide. Usage et suport: Aquarelle, dessin.    

cm 56x76 - 70% bambou. Blanc. Papier japonais d'Awagami Factory©. Une surface plus souple et plus lisse adaptée à la gravure. Le bambou est un matériau familier au Japon, il a la particularité d'être souple et solide.  

cm 70X100 - Velin mat - 100% Coton - grain fin et texture délicate. Une légère rugosité sur une face et doux de l'autre, le grain très fin est présent en R/V. Usage et support : tirage photo - Aquarelle et toutes techniques humides -...

cm22x30 - Artistico Watercolor Traditional White Cold pressed Fabriano Artistico White watercolor paper is made on a round shape machine. Its composition is 100% cotton, chlorine and acid-free. Ideal for watercolour, tempera, gouache,...

cm22x30 - Artistico Watercolor Traditional White Half satin. Fabriano Artistico White watercolor paper is made on a round shape machine. Its composition is 100% cotton, chlorine and acid-free. Ideal for watercolour, tempera, gouache,...

In 22x30 - Artistico Watercolor White. Soft pressed. Fabriano Artistico White watercolor paper is made on a round shape machine. Its composition is 100% cotton, without chlorine or acid. Ideal for watercolour, tempera, gouache,...

In 22x30 - Artistico Watercolor X White.Rough Fabriano Artistico Extra white watercolor paper is made on a round shape machine. Its composition is 100% cotton, without chlorine or acid.Ideal for watercolour, tempera,...

In 22x30 - Artistico Watercolor X Soft pressedFabriano Artistico Extra white watercolor paper is made on a round shape machine. Its composition is 100% cotton, without chlorine or acid.Ideal for watercolour, tempera,...

CP . Watercolour art paper pure coton Fontaine©.300g/m² - Blanc mat - 560 x 760 mm (feuille entière) 4 bords frangés.Papier étudié pour les techniques humides avec une capacité d'absorption et de...

Hal satin . Papier aquarelle pur coton Fontaine©.300g/m² -  Blanc mat - 560 x 760 mm (feuille entière) 4 bords frangés.Papier étudié pour les techniques humides avec une capacité d'absorption et de...

Cloud effect. Papier aquarelle 100% coton Fontaine©. 300g/m² -  Blanc mat - cm 56x76 - 4 bords frangés. Papier étudié pour les techniques humides avec une capacité d'absorption et de planéité du papier mouillé exceptionnelles.  

Rough . Papier aquarelle pur coton Fontaine©.300g/m² -  Blanc mat - 560 x 760 mm (feuille entière) 4 bords frangés.Papier étudié pour les techniques humides avec une capacité d'absorption et de...

cm 70x50 - Pastelmat by Clairefontaine®, Pastelmat paper is dedicated to soft pastels. Its soft surface makes it possible to multiply the layers of pigments without the effect of saturation. This paper avoids the fixative. It allows...

cm 70x50 - Pastelmat by Clairefontaine®, Pastelmat paper is dedicated to soft pastels. Its soft surface makes it possible to multiply the layers of pigments without the effect of saturation. This paper avoids the fixative. It allows...

cm 70x50 - Pastelmat by Clairefontaine®, Pastelmat paper is dedicated to soft pastels. Its soft surface makes it possible to multiply the layers of pigments without the effect of saturation. This paper avoids the fixative. It allows...